星球大战创造性影评

A. 高分悬赏，写一篇1000字的影评，绝对要原创，电影在如下选择，终结者，星球大战，美国往事，阿甘正传

满意的话，请选为最佳答案，谢谢

B. 怎么评价电影《星球大战8》

2018年的伊始，对于铁杆星战迷来说，可以说是“本命年”了，新上映的《星球大战：最后的绝地武士》在保持一贯高水准科幻片的基础上，彻底颠覆了星战系列前七部的传统套路。

不只是电影，星战系列拥有强大的周边衍生系统，漫画、小说、游戏、画册、玩具、同人等等，堪称全球大众文化航母级现象，因而《星球大战8》的上映再度掀起观影高潮是意料之中的事情，不过大家对这次的星战口碑却呈现严重的两极分化，影评人方面烂番茄打出了90%的新鲜度，而观众方面却只有50%，但很多星战老粉表示不接受，不喜欢，认为其背离了传统星战精神。

评论两极分化对《星战8》来说，是福也是祸，毕竟巨大争议性客观上也为一部电影带来了更多的关注。那么这部星战到底是如何在观众群中投下这颗炸弹的呢？

C. 星球大战前传1,2,3综合影评

星球大战》前传1：魅影危机
单从技术来讲，我觉得这部是对十几年技术达不到的星战的一个补充 。前三部只有礼仪机器人、工程机器人，所以这部加上了战斗机器人，照型更眩目，功用更齐全，杀伤力更大
前三部只有空战，沙漠战、丛林战，所以这部加上了海底世界
这部给我印象最深的还是小阿纳金啊
可爱啊
这部交代了阿纳金的应运而生和较悲惨的童年奴隶生活
然后就是一场怎么看都很烧金的赛飞艇比赛
这就是技术的进步成果了
看是很过瘾
不过这还是开着战斗机在太空中战斗带给我们一次又一次感动的星球大战么？
除此之外
女主角阿米拉达女王佩眯比当年的莉雅公主贵气多拉
那服装多的可怕
造型也是千奇百怪
有中国、日本、意大利各种各样的服装风格
女仆也很多
到哪里也受人尊敬
果然是女王啊
不过那张白脸一点红真有点看不习惯
还有一小花絮
这部安排3P0竟然是阿纳金小时候的杰作....
编剧您还真能编...
这前后真说不过去啊
让我有一种错觉
里面的人人物物都是亲戚
现在就算有人告诉我奥比旺是阿纳金失散多年的亲兄弟我都相信
反正真是什么都能瞎编
这回反派没有了黑武士,所以加进了一个西斯人
要我评价那副尊容,只能用很脞来形容
象个京剧脸谱长角了
还有光剑的使用
明显比前三部更注意设计了剑柄和武打动作
还出现了双头光剑
其实我心里更怀念以前简简单单的光剑说
另外新登场的宾客斯如同它的性格一样不值一提
剧情倒没什么特别好看的
除了那女王绚目的服装秀和小阿纳金的赛飞艇..
我的心里只在祈祷:阿纳金快长大啊,快找老婆啊,快生孩子啊,快变成黑武士啊.....

D. 星球大战1的影评

我是为了剧情连贯性，在看了前传3集后决定看20多年前的正传的。《第10放映室》曾经播出过一集讲述1977年拍摄《星球大战》的幕后始末的纪录片。在没有计算机图形处理的1977年，在咱们不知道在干什么的1977年，乔治·卢卡斯以卓越的创意和精益求精的风格拍摄出如此富有想象力的《星球大战》，不得不说具有划时代的意义。

电影本身在今天看来的确没有太多精彩之处，总体来说中规中矩，视觉效果还能接受，剧情虽然老套但是也算完整。不过我们还能从中窥见一些1977年拍摄未来太空歌剧的有意思之处。看《第10放映室》的纪录片能找到更多这方面的细节。例如所有的飞船都是塞满了各种按钮和拉杆来表示高科技和复杂性，而今天的科幻片都改成了触摸屏。Jedi武士的激光剑效果，是手持包着感光纸的木剑，然后把此处胶片反复曝光形成的。森林里的飞行器追逐片段是慢速拍摄然后加速播放的。机器人R2的纯电子声音更是真人配音的…… 今天拍摄科幻片肯定没有这么多乐趣。

我们今天看到的版本是在21世纪复刻的，在第三集《绝地武士归来》的末尾，我们还能看到在星战前传中由海登·克里斯滕森扮演阿纳金天行者。

可以想象，这些充满创意的想法和对宇宙世界的想象力给当时的人们带来了多大的冲击，从此电影进入了一个新的科技时代。

E. 关于影片《星球大战》有哪些解释

远在1977年，远在现在的年轻影迷还未出生的时代的时候，在美国就有一位电影人通过他的电影给我们展示了一种相当绚烂、迷人的未来世界景象。虽然他所描绘的未来也许我们永远也无法达到，但这却足以使我们将目光聚焦到能使世界迅速发展的科学技术上。从这一意义上，这位电影人对世界的贡献就是无可限量的。而这就是乔治·卢卡斯和他的《星球大战》系列影片。

自1977年问世的《星球大战》系列影片，至今仍是全球影迷的至爱。影片讲述了杰迪武士的后代帮助共和国参议员丽亚公主摆脱帝国总督的追击，击溃杀人武器死星，并最终加入到反抗军行列的故事。即使撇开那令人眼花缭乱的特技制作不谈，影评界对该片也始终存在着两种评价：一方面的意见认为该片华丽的外表掩饰不了主题的陈旧，就像是古罗马时代的宫廷争斗片……于是整个故事就变成农夫小伙子在圆桌武士的帮助下，击败邪恶的大主教，帮助善良贵族登上王位的故事。而且极具象征意味的是，影片中的杰迪骑士并没有使用激光枪等明显的未来武器，而是使用光剑这种复古的武器。另一方的意见认为，《星球大战》向我们展示了在未来科技的高度发展中，人类社会的政治、人文以及发展等却并没有质的变化，贪婪、势利、恐惧、争权夺利等种种人性的弱点都依然存在。（佚名）

F. 你如何评价《星球大战》

其实星球大战这部片子总体感觉一般吧，也有可能是我体会不到他这种科幻片的美感，因为自己是陪男朋友一起去看的，所以当时全程就想睡觉，也没有感受到这部片子的魅力之处，所以我就觉得这部片子挺一般的。

G. 星球大战2：克隆人的进攻 观后感

影评1 你是否相信战争可以解决问题？
长大后安纳金让我失望鸟，不够酷，还没有小时候那么坚定。一个人要遇到什么样的事情才会背叛最初的信仰，这是我读到衣卒尔的故事之后常常想的事情。而安纳金的却还谈不上转变，因为他没有最初的信仰，从来他只想着如何变强，成为最powerful的jedi knight，然后又因为小情人发生情感跳动，母亲被强盗杀害之后就彻底变坏了，这个变化太突然，一点也不给力，看不到挣扎与无奈。
整个情节的设计倒是不错的，战争的双方其实是一个人，挑起战争的目标是为了极权。
安纳金这时的想法已经接近西斯的想法了，他以为足够强大就能解决问题。事实上，即便现在，ms民主已成世界共识的年代，依然有人认为权力的集中能够搞定一切。
我的看法是，极权确可提高效率，但一旦权力不受控制，必然导致腐败，更夸张的就是我们新闻里出现的，一些人犯了事，一点也不怕，当众就可以喊，我爸爸是XX，我叔叔是XX，他们的爸爸叔叔不是一个人，而是一个叫做权力的东西。我相信在资本主义国度里面，在资本刚刚展示其能力的时候，一定也有类似的叫嚣，他们的爸爸叔叔叫做钱。经过发展，他们不敢那么嚣张地表白了，而是转入地下操作，所以后来他们的律师都发了大财，成为一个有米的行业。
我们的现状，看看律师的收入就可以看出端倪，这是因为律师们还没能起到重要的作用，没有人会花大钱去请他们办事。或者说，有另外一部分人抢了他们的生意，那些人就是裁判员，或者裁判员的领导。
可以预见的是，将来的趋势势必要往地下转，一切都须有法可依，所以律师是一份有前途的职业，值得注意的是，这一过程可能漫长，就如同有人预测心理咨询师是一份有前途的职业一样，近几年报考大学选专业的时候仍需谨慎，因为当这些职业能赚钱的时候你可能已经退休了。
说回题目。西斯认为战争状态可以导致极权，通过对整个故事的了解，我们知道，最终共和国变成了帝国。这一转变，卢卡斯是清楚的，然而他的影迷们未必清晰的认识到这一点，因为当911发生的时候，大多数米国人同意给总统放权，让他去发动战争。
可以想象的是，世界上的很多人也是这样的想法，觉得战争可以解决问题，即便这些问题看起来是负面的，确实需要解决的，如分裂，恐怖主义等，但战争是什么？难道战争不比这些东西更可怕么？
有很多人迷信武力，这在所难免，因为生存本来就是一个竞争的过程，人类从这个漫长的过程中走过来，已经使竞争成为一个天性。但是，现在流行的观点是，宇宙是一个系统，而人类的很多侵略行为已经不是为了自身的生存，而是出于膨胀的欲望，这些行为已经影响到地球这一系统的和谐运行，甚至如果人类的破坏力彻底爆发的话，已经可以终结地球。
这想必绝非大多数人的本意，除了少数变态的毁灭者，即使是那些欲望膨胀所求更多的人，没有了地球，什么都没有意义了。
或许有人认为，局部的战争不会影响到全局，不会导致地球的毁灭。比如，对于西藏，新疆，台湾等地的武力。这是出于对对方实力的一个预估，因为对方很弱，没有核打击能力。对象如果是朝鲜，可能大家的评估就会不一样。然而，这是事情的关键么？我认为不是。如果一方真的认为你在统治他们，压迫他们，必然会导致反抗，而后就会去求助目前地球上最强大的武器，甚至倾尽所有来做这样一件事情。
也就是现在技术尚未普遍，核武器还不流行，倘若将来很多人手上都有这样一件东西，而如果还存在一方要统治另一方的时候，核战争就开始了。二战的死亡人数据说超过了以往所有的战争，那是因为技术的原因，大规模杀人成为现实，那次战争的意义已经不同于以往任何的战争，是对于人类的一个打击。但是，到下一次大规模战争的时候，情况应该又会变化，就会变成对地球的打击，直接导致大家都完蛋。
这样的分析无非是想说，战争不能解决任何问题，只会带来灭亡，这是对人类作为一个整体而言。假如说，现在某大国去完全消灭一个小国，斩草除根，可以不带来任何的副作用，就如同历史上已经发生过的那些事情一样。但对全体来讲，那就是毁灭，毁灭的是人类的一部分。而不断的战争获利，只会使人更加迷信战争的力量，以后每遇到问题的时候就会求诸这一手段，最后就大家一起完蛋了。
有鉴于此，如果将来不发生外星人入侵的话，最好大家就解散军队算了。即便与其要打星际大战，我也觉得不如就让外星人统治，反正他们又不是变态，要吃人还是干嘛的，顶多就现在这样，拿我们做奴隶而已。你认为做中国人的奴隶，跟做美国人的奴隶，做外星人的奴隶，有差别么？我觉着吧，大差不差，都可以接受。

影评2 绝地，共和国永恒的忧伤。
May the force be with you.
被绝地武士挂在嘴边的一句话。然而我还是对所谓“原力”的存在感到怀疑。个人理解是，生命起源的原动力。可是就算未来的科学再牛逼，“生命起源的原动力”还是一个相当个人化的意象。而绝地武士的存在，个人认为是相当的不人道。win说，要是离首都近一些，我们就能尽早感知了。武士的选拔是真真正正从娃娃抓起。越小越好。就算说长老们跑过去征求人家父母意见，他们有权决定吗。而孩子小得还只能称之为it，更不能决定自己的一生的生活是否是苦行僧似的，不能拥有人类的七情六欲，被剥夺了一切，还要求付出无私的爱。这明明是被剥夺。
而anakin明显就是这一不人道制度的牺牲品。在他已经清晰的意识到自己的欲求，情感之后，才被带走接受不人道的训练。
绝地，是人性的绝地，共和国永恒的忧伤。

H. 星球大战影评(英文)

1

Well, Star Wars: Clone Wars was released, and though it was a much anticipated event (or ploy) to get every Star Wars geek to the theater for something a little different, you might spend your money better on the Genndy Tartakovsky versions.

The action picks up shortly after Episode II: Attack of the Clones and owes a lot to the aforementioned Tartakovsky versions in voices, style, and tone. But that is where the similarities end. We’re thrown smack in the middle of the narrative with no explanation of character or setting, because, well, you know it all by now, don’t you? Obi-Wan and Anakin are deep into battle when they are called to action to find and rescue Jabba the Hutt’s little "punky muffin" (yes, that is what Jabba called him). The message is delivered by Ahsoka Tano, Anakin’s new padawan learner, a whiny, vacuous little twit who, if she wasn’t a force-wielding Jedi who kicks some serious Droid behind, would fit right in as a character on Hannah Montanna. I knew we were lost when Anakin called her "Snips" and she called him "Sky-guy" and R2D2 "Artooie." With the introction of Ahsoka, one can almost forget Hayden Christensen ever happened. But there are some neat new characters who make appearances and, of course, plenty of aliens.

As far as the animation rendering goes, there are some stylistic choices that give the whole thing a "dirty," monochromatic feel with the look of papier-maché sculptures. The animation was supposedly done to resemble Japanese anime, but methinks they confused anime with Supermarionation. I felt like I was watching an episode of Thunderbirds.

Let’s be clear. It’s Star Wars, and it satisfies your yearning for clone trooper-on-droid action and light saber els. We get to see lots of armored and unarmored clones do their business and big spaceships battling in the void. My 5-year-old simply loved it and would not have let me hear the end of it if he was forced to wait until the DVD, or worse, the TV show. There are some very silly things about this Clone Wars such as the fact that the battle droids all sound like Erkle from Family Matters, and Zero (Cero?) the Hutt sounds more like Capote the Hutt. But there are some very cool things about this version of Clone Wars too which should add some real variety to the mythos. Ventress is one of these things. This character is one evil Sith witch and is the best carry-over from the Tartakovsky toons. She should make the subsequent TV episodes fun to watch, if the show lasts that long for her to become a major feature that is. I also can’t wait to see more Jedi and General Grievous.

In short, see it if you or the geeklets can’t bear the wait, but you might spend your money better somewhere else waiting for the inevitable repeat ring the TV release.

2
The action of the film was far more intense than I was expecting. There were so many giant set pieces and grand action sequences that the film hardly ever stopped to catch its breath. And it’s not just that there was a LOT of action… it was all really good action. From the giant space battles to the huge ground troop battles, the lightsaber els and the Jedi throwing themselves into swarms of battle droid fights… it was all really quite spectacular. To me, it was easily the most action packed Star Wars movie to date, and maybe the most action packed Sci Fi film I’ve ever seen (animated or otherwise). It was fantastic. My hats off to them.

As much as I worried about how the animation looked in the trailers, I’ve got to admit within about 3 minutes I was totally sold on it and thought it worked and looked quite beautiful. Yeah, the facial animation could have been a lot better, but aside from that I thought the landscapes, the structures, the ships, the movements and the environments in general were all done wonderfully in my opinion, but I can see why others may differ.

3
I saw Star Wars Episode Two: Attack of the Clones hours ago. The ‘how’ of that will be a thing of mystery buried in a passed piece of paper from my book signing with a hotel, a room number and a time listed upon it. You don’t want to know about that room or the person(s) in that room, you want to know about Episode Two.
Jar Jar Binks. Jar Jar has a 15 second StepInFetchIt shuffle speak routine he does as he goes to first let Obi Wan Kenobi and Anakin Skywalker into the Amidala’s quarters that is so offensively awful, that it will not only make you recoil in horror, but it will remind you of all of the worst aspects of his character from THE PHANTOM MENACE. I wanted to burn the film, destroy, maim and murder it at this stage. I was steeling myself from the impending incompetence, the horror of my childhood being molested. I was prepared to have a very bad time.
I found myself not liking Anakin Skywalker at all, he’s a punk spoiled brat… A snotty nosed ego trip, that angry evil high school football quarterback that wants the head cheerleader. He whines like a Mark Hamill squealing about going to Toshi Station to get some power converters. There is much anger in him. He’s impulsive, conflicted, out of control and a mass murderer. Everytime I saw him and Natalie Portman together, I wanted to tell her to run, fly you fool. But am I not supposed to feel that way?
So did George Lucas drop the ball? Did he rape our childhood? Has he turned into nothing more than flannel wearing toy salesman without a soul or an eye for storytelling anymore? Was I disappointed to such a state that I wanted to yell and scream and break my original 12 inch Boba Fett and defecate upon it in a ritualistic purging of all that was once sacred to my childhood?
To answer all of those questions…. THANK GOD NO!!! Lucas succeeds with the film beyond my wildest dreams.
I was scared and thrilled to be watching Episode 2. The entire time I was in that hotel room, I was convinced that agents of Lucasfilm were going to knock down the doors and I knew I was being set up for a fall. I mean, it isn’t possible to see STAR WARS early. I know that, but there I was watching it. Listening to the sounds of drunk SXSW revelers falling into the door outside.
After about 20 minutes of that awareness everything but the film ceased to exist. The lights in the room dimmed in my mind. The person(s) in the room shrank like Scott Carey into the microverse. Everything about me was concentrating upon the film. The movie was not complete. There were moments where the effects were quite rough, but the work that was finished, was beyond reproach.
How do I explain the success of ATTACK OF THE CLONES? First, I must say that this film makes THE PHANTOM MENACE a better film. In fact, I would have to say that not only does it do that, but suddenly you will realize with horror, exactly why Jar Jar Binks is in the series at all. Upon first viewing, in less than ideal circumstances, I must say that I feel that this is by far the most entertaining Star Wars film to date. It may not have that innocent sense of wonder for the first film. It doesn’t have that sense of intimacy that EMPIRE STRIKES BACK had, or that film’s desperation. However, it also doesn’t have the trivial frivolity of JEDI or MENACE. ATTACK OF THE CLONES is a turning point in the saga. The point of no return.
I love this film desperately. I want to continually watch it for about a week with my best friends. I want to see it digitally projected with sternum shaking sound. I want to watch as friends discover the twists that Palpatine/Sidious/Dooku have in store for us. I want to have the conversations about what this all means, the speculative conversations about how these elements will play out in the final chapter of the prequels.
What is great about the film?
Obi Wan Kenobi / Ewan McGregor. He just owns the role now. There is a moment in the Cantina/Sports Bar on the surface level of Coruscant, where he and Anakin have chased an assassin. As they enter this packed sci-yuppie-scum club, they realize they can’t seem to be able to see ‘the assassin’ anymore. Anakin wants to rush in, tear the place apart looking for the suspect. Obi Wan tells him to slow down or something then turns to head in a different direction, Anakin asks him, "Where you going?" to which Kenobi dryly responds, "To get something to drink." Kenobi is just that calm about things. He is the king of cool. He’ll get his suspect, but he’s going to get a drink first. Priorities. I was reminded of him telling Luke to let go and to trust his feelings. He doesn’t repeat that here, he simply lets go and trusts his feelings. We see it as an action, a path he chose. Then when he gets to that bar, leaning on it, sipping that odd drink, a drug dealer comes up to him and asks, "Wanna buy some deathsticks?" Obi Wan responds, "You don’t want to sell me death sticks." Drug dealer says, "I don’t want to sell you death sticks." "You want to go home and rethink your direction in life," Kenobi continues. "I want to go home and rethink my direction in life," the dealer says as he blankly turns and walks out of the club. Before he can get too smug about his little trick he senses the assassin behind him and he pulls the patented Obi Wan pivoting light saber at a bar strike that you’ve seen in the trailer. He gets his suspect and he’s never broke a sweat. He is the master. Kenobi is just plainly cool in the film. Watch how he handles things on Camino or the way he doesn’t betray a single thought in his conversation with Jango Fett there. He knows his game, his methods and his ways. He is confident and completely on the clock. Ewan is relaxed in the role, clearly having fun and is very very very good in the film. Contrary to Moriarty’s assertion that he would be more ‘Han Solo’ he is in fact much more Master Li Mu Bai (Chow Yun Fat from CROUCHING TIGER HIDDEN DRAGON) but without the romance.
Jango Fett – Boba Fett / Temuera Morrison – Daniel Logan -- I love this pair. I love them because they are the renegade Father and Son. They have their own set of rules, they are a self contained functioning unit. Jango wanted a son to raise his own way, that doesn’t mean he beats him and does evil things. He loves his kid. He’s training him to be a good Bounty Hunter like he is. There is very much a father/son – Master/Apprentice style thing going on here. And they have my favorite moment of the entire film, which is a tiny little moment between these two. Jango and Boba are headed to Genosia when they pick up that Kenobi is tailing them. They dive into the asteroid belt surrounding Genosia, Obi Wan trails behind them, not being lost. Jango tells Boba something like, "Prepare the sonic mines, we’ll give him…" something, I couldn’t make out… but Boba presses some buttons while doing what I can only describe as an evil giggle… a delighted giggle. Jango looks at him smiling, as if to say… "That’s my boy!" The moment is so honest and real. I’ve never seen a father – son moment like this in science fiction. Completely classic.
Anakin Skywalker - Padme Amidala / Hayden Christensen – Natalie Portman -- First Anakin is just an ass in this film. Like I said earlier, I can’t stand him. He’s like that boy in the TWILIGHT ZONE movie that has too much power and thinks about using it too much, but sometimes it goes terribly astray. Portman’s Padme in this film has mostly dropped the ‘high speak’ that she had from the first film…. Injecting into her character far more vocal variety than the droll monotone of the first film that killed the performance. Here she infuses the character with more of herself, which is a very good thing. I like that she doesn’t want to have anything to do with Anakin. That she constantly is aware of all the reasons they shouldn’t be together. Of the scandal. Of their careers. Anakin hates being told no. She can see all the reasons, but when they go through what they go through… When the emotional binding takes place between these characters through a brief adventure, a loss of a loved one, a decent into hell… When faced with certain doom, they realize that life is too short to worry about the ifs and buts… And when it happens… John Williams’ love theme kicks in. This really kicks in just as Anakin and Padme kiss before being taken out and strung up in the arena (you know the sequence when they are chained against the pillars.) It actually starts from the shot (which we see in the trailer - of the arena with all the Geonosis creatures seated and cheering - the long shot looking from high to low). It consists of maybe three instruments playing at first, classic violin, very sorrowful and warm. It almost sounds a little bit like the theme for the Incredible Hulk TV series with Lou Ferrigno. The intros are similar before other instruments join in. It also reminded me of Francis Lai’s theme from Arthur Hiller’s LOVE STORY. Although it is strikingly different from other parts in the film, IT FITS IN BEAUTIFULLY. Elegant but not soppy. Gentle but not melodramatic. Williams thinking differently (after all, a very different relationship from Han and Leia!) and succeeding. It starts to crescendo as the lovers are wheeled out into the arena (reminded me of the shot of Luke with the twin suns) - same type of crescendo. It continues through the cuts between Obi-Wan chained and them being taken over to the same place but changes into a military drum style (you know, the thumping dictatorship heavy beat - almost like the 'sacrifice has arrived'). This changes the whole tone as we realize their 'moment' has been intruded and they are in serious poodoo. The romance is handled in terms of familiarity and proximity. This is that sort of romance where one loves the other, but only at the point of an emotional precipice where the other could see that they shared that feeling and embrace it. I liked this.
Palpatine-Sidious – Count Dooku-Darth Tyrannus / Ian McDiarmid – Christopher Lee -- Wow. Ok, read no spoilers about all of this. I remember thinking that Lucas could be soft in the head for trying to fool the audience into thinking Palpatine isn’t Sidious. I mean we can see that in the credits. What the hell? Right? See that is so like a self-centered audience. To sit there and think they are the center of the universe. The Palpatine-Sidious thing from the first film… The trade dispute… All of it not only makes sense with this film, but the way it unfolds. As you see the point of the various guises and names… How Yoda and Win sense no ‘disturbance’ around Palpatine… There are reasons for these things… Just because you don’t know them yet, doesn’t mean Lucas doesn’t know what he’s doing… Upon seeing this film, seeing how he handles these two characters being 4 characters… It is genius. Compelling Machiavellian positioning and deception. There are points in this film where I wanted to scream at the screen and say, "Palpatine is an evil Sith Lord! They’re conspiring to destroy the Republic from within!" That’s when Christopher Lee essentially tells Obi Wan the same thing… My god. The evil. The evil of using the truth, knowing it could only be interpreted as being a deception and a lie. The Devil uses truth to betray mankind, because he is expected to lie… and the truth sounds better, but will never be believed. Just wait till you see how the Death Star plays into this… You’ll friggin die! FANTASTIC.
Yoda-Dooku fight… HOLY GOD! Right now there is a lot of speculation about Yoda with lightning. It is on one of the soundtrack covers. When you look at that. When people described the ball of lightning in Yoda’s hands from ShoWest, I thought they were insane. I thought only the bad guys did that. When I saw the film, well… I can tell you exactly how that moment plays out. So far as I have seen that hasn’t leaked and it isn’t a huge spoiler. When Yoda and Dooku first set up to go at it, Dooku hurls lightning at Yoda… Yes, Chris Lee’s character is that strong. Perhaps the strongest character with the force I have ever seen in Star Wars history. He attacks Yoda with lightning, Yoda captures it, twirls it around, balls it up and redirects it back at Lee. When I saw this, I screamed like a little girl. I mean it was like Uncle Tony grabbed my pantied ass. I jumped about 12 feet up in the air and squealed. WHAT A THRILL! The Yoda – Dooku fight is astonishing. I can not emphasize that enough. I have been thinking for quite some time that there was no way on earth that Yoda with a light saber could look cool. Folks, not only does it look cool, but there will be a collective scream of HOLY SHIT when what happens happens. Yoda’s fighting style is… well let’s just say he could kick all your asses. Oh and by the way, Williams’ DUEL OF THE FATES was nothing in comparison to this. Remember Vader vs Luke in EMPIRE… How overwhelmingly powerful Vader felt in comparison to Luke. Remember how weak Vader felt in comparison to the Emperor? Now imagine someone with The emperor’s powers in a full on battle with a master. Here towers of metal are torn asunder with the power of the force. The ceiling ripped apart. Seemingly unlimited strength with the force. You will quiver, shake and scream. You are warned.
You have to understand something in going into this film. What you have seen in Star Wars movies before were skirmishes… incidents… Remember, The Battle of Hoth was small, a minor hiccup. In ATTACK OF THE CLONES, you have the first REAL Star War. It isn’t a space battle, but you understand the scale of things. The size and scope of a MAJOR OFFENSIVE. And unlike in PHANTOM MENACE, where Lucas decided to cut up the action by trying to intercut three consecutive arenas of battle, here he portrays the action linearly… basically following Obi Wan and Anakin and Padme… who all basically stick together, with Padme taking a roll in some sand to miss out on the Dooku battle.
After the film was finished playing I was just beside myself with glee.
Right now it is a very interesting time for Star Wars fandom. PHANTOM MENACE polarized the audience into the faithful and those that felt it had all gone wrong. That everything was doomed. With the introction of MATRIX and LORD OF THE RINGS into fan circles, there began to be a real angry mix.
You know those guys that have been camping up in Seattle? The experience they are going to have in the theater upon that first showing… They will be so completely happy.
Now the cut I saw was still a bit rough around the edges, but folks… I can’t wait to see this on the big screen complete. To see what gets cut, what gets changed, what I notice when watching this movie the way Lucas meant for people to see it.

This movie is the real deal. It is smart, beautiful (god digital photography is the glory and the future of the world of film, the palette is strikingly dramatically colorful), thrilling and electrical. Essentially it is a pure action adventure science fiction fantasy with a touch of romance. Line up now. This Star Wars is for real.

P.s. To the talkbacker concerned about Jimmy Smits... He doesn't really do anything major in this film. He is next to Palpatine though right before that amazing shot of all the Clone Troopers and those Star Destroyer things... So he's close to Palpatine, but I bet he betrays Palp in the next one (speculation) Oh, I'm off to Los Angeles, so I won't be doing talk back looking on this to answer questions, but if you come to the book signing at BOOK SOUP Tuesday at 7pm, I'll answer all NON-SPOILER QUESTIONS about Episode 2. In fact, I'll even do imitations of scenes and looks on faces. I'm so jazzed about this movie now! Can't wait to share, but not spoil!!! The gods of spies have looked out for me on this one.... That sacrificial Power Puff doll was worth it!

I. 急需《星际大战1》这部电影的故事梗概和简单的评论！

看看着个！ 1977年5月26日的《纽约时报》这样评价前一天上映的《星球大战》，作者文森特·肯比说：“它延续了《福莱·高登》的神话宏愿，并且以折衷主义的方式将诸多文学作品聪明融合———巴克·罗杰斯、超人、绿野仙踪、马太福音、亚瑟王，甚至圆桌骑士。”

《星球大战》的出现让所有美国人都觉得耳目一新。在这部电影里，银河系更像是一个空中的村落，英雄们穿着古老的衣服，却使用未来的武器，飞行器像蜜蜂一样布满天空，在瞬间擦过充满阴谋的太空……这一切对于那一代观众来说，是如此神奇和新鲜。银幕上这次银河系的政变，改变了之后的美国科幻片，也使它自己拥有了教科书般的地位。

年轻人热爱这部电影，他们为这个并不存在的星际体系感到兴奋，更为众多不知名字的机器人感到兴奋，电影给他们提前演示了后工业时代的金属时代，那里充满神秘的智慧与发达的技术，它们都很陌生，需要解释。而最为重要的是，只有它是第一个。

想想吧，《超人》第一集在一年后才出现，《终结者》出现在1984年，而直到1999年，我们才看到像《星球大战》一样拥有庞大结构与说教体系的《黑客帝国》。虽然1968年的《2001太空漫游》是一部伟大的电影，但库布里克过多的寓言和晦涩的剧情让观众在电影院里难以忍受，而这时，《星球大战》出现了。《旧金山编年史》为此欣喜地说：“一部极为完美的电影，战争题材变得极有娱乐性，拥有让人过目不忘的角色和光彩炫目的视效，让我们对一部电影别无所求。”

它成为那一年的文化事件之一，而后更简单的概括是：“《星球大战》改变了整整一代人。”

在《星球大战》里，导演乔治·卢卡斯展示了这个职业作为炼金术士与技术工人的完美结合。在之后的近30年时间里，他都将自己隐藏在这部电影的后面，以星战的名义拍了6部系列电影，并以此塑造了一个宏大的星球帝国。许多星战迷们都迷失在这个帝国里，为理清庞杂的关系而大伤脑筋。

2005年5月19日，《星球大战》系列的最后一部《星战前传之西斯的复仇》即将在全球同步上映，这部星战系列的终结篇将是乔治·卢卡斯一次漫长征程的终点，在这个逐渐前进的旅途中，我们看到了他构建史诗的野心，还有与此相伴的力不从心。

在《星球大战》之前，他还曾拍过一部《THX1138》，描述的是在公元25世纪里人类面临极权社会的危机。这部拍摄于1971年的电影在主题上像是《星球大战》的预热，但《星球大战》才真正赋予了这个主题的灵魂。利用当时最顶级的科技制作妆点的这个星际传说，包裹着乔治·卢卡斯关于政治民主、宗教使命与人类本性的认识。在此之后，《黑客帝国》一样试图在技术学中提炼出破碎的价值观。

1977年的《星球大战》是伟大的，它在制作技术上的使用让人目眩神迷，并第一次大篇幅地用特技向世界展示科幻片如此迷人的一面，就连斯皮尔伯格也承认，自己的多部科幻片都受它影响。但星战系列并不能为此挂上同样伟大的旗帜，尽管这6部电影在事实上组成了一个完整的体系，但是许多人还是抱怨，它们的质量参差不齐。而更多的怀疑来自剧情和自我重复———“它虽然在谨慎地维护与拓展，但已不再吸引人。”在著名的“滥番茄”网站上，一个12页的帖子题目就是“星战死了”。

1977年的乔治·卢卡斯33岁，2005年他已过了60岁。这个将毕生一半时间献给这个未来帝国的导演应该相信，不管《星战前传之西斯的复仇》的反响究竟如何，他已经将最伟大的作品献给了世界，他将因自己在1977年的这部电影而被人铭记。但他同时也必须相信，第一部星球大战的伟大更多的在于它第一次表现的这个时代，而不是它第一次给予政治阴谋镀上了酷酷的太空金属色。乔治·卢卡斯在星战里填充的关于民主和政治的思想并不比同时代人更为出色，许多人也曾为此相互争议。它受欢迎的原因也许是，它是一部技术和形式都很迷人的电影。之后电影特技发展日新月异，回头再看《星球大战》，它就显得十分平庸。

很多年后，《星球大战》系列将给予我们两层意义：一是它的对于科幻片技术的开创性贡献，另一个则是它讲述的这个完整的星际故事。当终结篇的帷幕不可避免地落下，我们也许应该这样理解这个漫长的28年和6部星战电影：乔治·卢卡斯向后人画了一张地图，许多人沿着它走到了更远的地方，而这个画图者则将剩下来的时间都用来修补它。辛苦了，乔治·卢卡斯。再见了，《星球大战》。

星际大战系列拍摄年代记

1973·1乔治卢卡斯开始写作后来成为星际大战剧本四份草稿中的第一份草稿。

1973·5卢卡斯完成一份十三页、充满了奇怪人名与地名的剧情摘要，其中许多人物与场景最后都没能包括在最终的剧本草稿。

1975·1·28第二份剧本草稿完成，标题为《星际杀手的冒险》。

1975·6卢卡斯雇用约翰戴司卓来为此部影片做特效，光影魔幻工业特效公司(ILM)成立。

1975·11为期三个月的选角工作展开。

1975·12在自资投入一百万美元之后，卢卡斯得到了二十世纪福斯电影公司的正式开拍许可。

1976·3·22主要摄影工作在突尼西亚的Tozeur展开。

1976·7·16主要摄影工作完成，但光影魔幻工业特效公司仅完成几项少数可用的镜头，且预算极为吃紧。二十世纪福斯电影公司后来补助了卢卡斯认为可以需要完成影片的一半资金。

1977·3约翰威廉斯在伦敦录制电影配乐。

1977·4·30在旧金山北点戏院首次试映，观众反应极为热烈。

1977·5·25《星际大战》开始在北美三十二家戏院上映，仅仅几天之后放映戏院全美扩展到两百家以上。《星际大战》成为当时的流行风潮。

1977·8·3DarthVader、R2-D2与C-3PO在好莱坞中国戏院前的水泥地留下脚印。

1978《星际大战》超越史蒂芬史匹伯的‘大白鲨’，成为全美最佳卖座影片。

1978·2约翰威廉斯以‘星际大战’的配乐赢得三项葛莱美奖。《星际大战》获得影艺学院十个奖项提名。

1978·3在完成《帝国大反击》剧本两星期之后，名剧作家Leigh Brackett死于癌症。

1978·4《星际大战》赢得六个影艺学院奖项以及一项音效创意特殊成就奖。

1978·5·25《星际大战》上映一周年庆，仍然在部份戏院上演。

1978·7星际大战影迷俱乐部正式成立并发行第一份未命名的 通讯周报，此通讯周报后来命名为“班沙足迹(Bantha Tracks)”。

1979·6·6奥斯卡整体视觉设计得主JohnBerry在拍片现场晕倒，之后死于脑膜炎，年仅四十三岁。

1979·8·31《帝国大反击》主要制作完成。

1979·9·24完成Tauntaun肚子被切开一幕，《帝国大反击》所有摄影工作结束。

1979·11约翰威廉斯开始为《帝国大反击》谱曲。

1980·5·21《帝国大反击》在北美上映，在一百二十七家戏院中仅有两家戏院没有满座。

1981·4《帝国大反击》赢得影艺学院最佳音效奖与视觉效果特殊成就奖。

1981·9·5《星际大战》广播剧第一集在公共广播网播出。

1982史蒂芬史匹伯的《ET》超越《星际大战》，成为全美最佳卖座影片。

1982·5《星际大战》发行仅供租借用的录像带，出租的收入迅速地超越一百万美元，这是第一支录像带能够有这种成绩。

1983·5·25《绝地大反攻》在北美上映。

1984·1卢卡斯捐赠一个R2给史密斯博物馆。

1984·2《星际大战》首次在电视上播出。

1984·4《绝地大反攻》获得影艺学院五个奖项提名，获得最佳视觉效果奖。

1985·3·28《星战三部曲》首次三部电影一票在北美上映。

1985·5·25《星际大战》八周年庆，《绝地大反攻》第二次在戏院上映。

1986·2·1《帝国大反击》首次在有线电视网播出。

1987·1·9《StarTour》在迪斯奈乐园推出，之后所有的迪斯奈主题乐园都有此游乐设施。

1987·5·23为了庆祝《星际大战》十周·庆，史上唯一的星际大战会议在临近洛杉矶机场的一家旅馆举行，卢卡斯并亲临会场。

1991·5第一部卢卡斯影业授权、由TimothyZahn执笔的小说《帝国血脉》(HeirtotheEmpire)出版并迅速的登上了NewYorkTimes精装书畅销榜的榜首。

1993《TheGeorgeLucasExhibition》在日本各大城市巡回展览为期一年。

1994·5南加州大学颁予卢卡斯与史匹伯荣誉博士学位，以表彰他们对电影制作的贡献。

1995·4卢卡斯影业与二十世纪福斯电影公司达成协议，决定重新发行加强版《星战三部曲》录像带，同时宣布《星际大战》将以特别版形式重新上演以庆祝《星际大战》二十周年庆。

1995·8·29THX重新制作的加强版《星战三部曲》录像带上市。

1995·9Hasbrokenner仍以《PoweroftheForce》为名，开始发行新一代的《星际大战》动作玩偶玩具。

1996·1·31《星战三部曲》最后一次以原有的形式发行录像带，两千两百万份的拷贝在北美铺货，另有八百万份配给到其它国家。

1997·1·18乔治卢卡斯、马克汉弥尔、嘉莉费雪以及数十位星战三部曲中的角色共同参加了在洛衫矶的《星际大战特别版》世界首映。

1997·2《星际大战》主要主角们登上TIME周刊封面。《星际大战》与其特别版的总收入超越《ET》，成为全美最佳卖座影片。

1997·6·26《星际大战：首部曲》在英国Leavesden摄影棚正式开拍。主要摄影工作在9月26日完成。

1998·3詹姆士卡麦隆的《Titanic》超越《星际大战》，成为全美最佳卖座影片。

1999·5·19《星际大战：首部曲》正式在北美戏院播出，虽然影评毁誉参半，头个周末的票房仍创下影史票房新记录。年度结算电影票房第一，影史仅次于《Titanic》。

2000·7《PoweroftheJedi》取代《PoweroftheForce》成为下一代《星际大战》玩具的名称。

2002星际大战第二部曲《AttackoftheClones》复制人全面出击。

2005《星战前传3：西斯的复仇》全球同步上映

J. 星球大战的影评六百字

星球大战观后感
没有按照影片拍摄的时间，而是根据影片内容的时间来欣赏的这一部系列电影——《星球大战》前传三部曲以及《星球大战》三部曲。前者三部曲拍摄于2004年，而后者三部曲拍摄于20世纪80年代。不过一开始不了解内情的我，对于二十多年的变迁竟然没有让影片的画质和效果受到影响而震惊不已，结果看了相关报道才知道，六部影片都是21世纪新创的，只不过对于前传的三部曲采用了数码手段进行了修善，所以才会看起来在图画效果继承性上比较一致，当然最明显的时间烙印就是人物造型上的差异，发型、衣着、化妆、人物形态都是关键点。
前传的主角——阿纳金*天行者——一个很有潜质但血气方刚的绝地武士，最终没有战胜恐惧、死亡、悲伤的力量，堕落于黑暗力量的支配下;而正传的主角——阿纳金的儿子，卢克*天行者——同样也具有相当的潜质，甚至超过乃父，最终也依靠着父亲的帮助，战胜了黑暗力量的支配，完成了成为绝地武士最后的考验，走向了一条光明的道路。
要战胜这些，只有自身的努力和强大是不足够的，还需要外界的各种力量的帮助，才能化险为夷，度过内心的激烈斗争。两代天行者的例子就能很好地体现出来：阿纳金彼时妻子面临死亡，只有欧比旺师-父能够对他有所帮助，但并没有对他的内心有相当程度的了解，再加上绝地会议各位长老的坚决态度，才逼迫他走了一条不归路;而卢克此时虽然面对着黑暗皇帝对整个联盟设置的圈套无能为力，感到悔恨无助，但好友们顺利突出重围就已经给了他一个很好的客观支持，再加上原本就存在的信任，又有了回到良知的父亲的最后一击，使得“山穷水尽疑无路，柳暗花明又一村”。
在各种人物的经历当中，不同的高科技产品也让人兴奋不已，全息图像信息传输、超光速穿梭机、礼仪机器人、核能利用下的致命武器都让人应接不暇。而各种不同生物种类造型的塑造，简直都快赶上动画片的效果了。影片的背景也不乏迷人的景色，浩瀚无边的大沙漠、危机四伏的湖底城市、巍峨雄壮的都市建筑、注重细节设计的室内环境，都让人难以忘记。
于，在无聊打发时间的情况下看完了《星球大战》系列。看完后，给我一种荡气回肠的感觉，片中不管是遥远的太空，还是形色各异的星球，都能给观众带来对未知的遐想。作为20世纪最成功的电影系列之一，《星球大战》三部曲也是电影史上的里程碑，她集中使用了当时代表高科技的数字制作手段，创造了一个前所未有的太空世界，宇宙中我们能发现有处于高文明社会的星球，也可以看到还正在起步的原始社会部落。在里面，你可以看到形形色色，说着不同语言的外星人在酒吧里面谈笑风生，这也许有点映射那个年代美国的社会状况吧。《星球大战》系列中给我影响最深的是那些形状各异的宇宙飞行器，我有时候在遐想，要是我也有艘飞行船，驾驭着它和自己最爱的人在宇宙中肆无忌惮的飞行，累了就到某个星球去歇脚，和星球上的人结为朋友，然后继续我们的航程(其实我好久都没有这么天真的想法了，只有在小时候才会有的感觉，不知道我现在竟然还会有!感觉自己都很可笑，呵呵，算了吧，还是继续写下去，童年毕竟是美好的)。
《星球大战》系列一共有6部，我是从《新希望》开始看的，也就是说按照电影的出版顺序看的，因为这样更能清楚明白的看到各个时代对“星球大战”的理解，也可以看到电脑科技技术的不断提高给观众带来视觉上的享受。
整个电影中，人物都刻画的非常出色，皇帝的贪婪，安纳金内心的挣扎，欧比旺的正气，卢克的勇敢，索罗的义气，尤达大师的睿智，莉亚公主的女强人，还有两个可爱忠实的R-2和3-PO，他们的形象都完美的展现在《星球大战》这部气势恢弘的电影中。片中各色人物细腻的情感也很有表现在荧幕上，在《魅影危机》中，年幼的安纳金被带走时，他和母亲的难舍情感和他母亲的深明大义给人很强的同情。另外，在《帝国反击战》中当皇帝准备处死卢克时，卢克垂死挣扎并呼唤父亲安纳金的帮助时，我们虽然看到安纳金的目光只是不时的来回在皇帝和卢克身上，并发出那“呼呼”的呼吸声，其实他内心的挣扎我想比他儿子的折磨更加痛苦，随后他还是决定舍弃自我就回了儿子，在最后安纳金要求去掉面罩想看看儿子一眼时，感觉很感动。另外在《星球大战》中安纳金始终是故事焦点，他作为整个《星球大战》系列电影情节的推动者，他的魅力也是不可否认的，其实我最喜欢的就是一个在黑色面罩后的那个孤独，无奈，但又有点野心的人，当每次呼吸都发出“呼…呼”的声音时，我都有点陶醉其中。